Add Artificial Snow to Your Carvings

Add artificial snow to your holiday carvings and make them really stand out!

It’s that time of year again when wood carvers gear up to carving for Christmas, and if you’re like me your Christmas carvings include lots of snowmen and snow scenes.  These carvings often require adding snow as part of the carving/project.  One way (the easy way) to add snow is to paint it on, but there are better options. 

Aleene’s “True Snow” – 4 oz. jar – $6.04…..is a thin white paste-like medium that spreads on and adheres to anything.  Does not run or drip.  Goes on smooth leaving a smooth finish.  Spreads like thin frosting, dries white, cleans up with water.

Aleene’s “Glitter Snow” – 4 oz. jar – $7.76…..is a thin white paste-like medium with a very tiny amount of glitter in it to add some sparkle to your project.  Like “True Snow spreads on and adheres to anything.  Goes on Smooth leaving a smooth finish.  Spreads like thin frosting, dries white, cleans up with water.

DecoArt “Snow-Tex” – 4 oz. jar – $7.76…..also available in 2 oz. and Jumbo 16 oz. jars…..”Snow-Tex” is a white texturizing medium that creates dimensional effects like snow and stucco on your projects…a little coarser look than True Snow.  Somewhat thicker and harder to work with than “True Snow” and “Glitter Snow”.  Dries white, cleans up with water.

DecoArt “Glistening Snow-Tex Paint” – 4 oz. jar – $6.17…..is a white glittering paint that can be tinted with acrylic paints.  Cleans up with water.  I have not had any experience with this product.

All of the above products can be tinted with acrylic paints to give added, desired effects to your carving projects.  For example, my good friend Kevin Johnson from Pennsylvania tinted Snow-Tex with green  acrylic paint to get a mossy effect on the roof of his cottonwood bark house.

Kevin even used Snow-Tex to add (snow) hair to his snowman!

Kevin’s snowman with Snow-Tex hair

Below are photos of how I used artificial snow on two of my winter scenes:

The first photo shows Santa pulling a snowman on a sled where I used Snow-Tex to add to the realism of the scene.

Bob’s “Sleigh Ride” carving with Snow-Tex

The second photo shows  a snowman holding a birdhouse where I used Glitter Snow to embellish the scene.

Bob’s snowman with Glitter Snow

Check out Snow-Tex, True Snow or Glitter Snow and make your holiday/winter carvings special!

Reader’s Comments

I received a lot of nice and greatly appreciated comments from readers this week about my blog.  The first one comes from Gary Baker who writes:

“Bob,
I appreciate this column and look forward to it each month”

Thank you, Gary!  I’m glad you are enjoying Wood Chip Chatter.

The next comment come from Steinhart Raymond who I recently met.

“Hey Bob, it was nice talking with you at the Wayne Pal wood carving show. Look forward to maybe getting some tips from the master.”

It was a pleasure talking with you too.  I always enjoy attending woodcarving show because I get to meet so many old friends as well as new friend such as yourself.

The third comment comes from my friend, Jim Shay who writes:

“Hi Bob, As usual, another fantastic edition of your Blog.  Thanks for all your hard work. I’m  slowly beginning to get back to carving after losing my wife and again, going thru Cancer treatments, which hopefully will be finished this next Monday.  Fingers and toes crossed.   I’m including a photo of some recent carvings I’ve completed.  Some Santas,  a Sunflower  carved for a family member and Mr. Pear.  All of them were inspired by someone but my memory has failed me again so will blame you as your Blog continues to be an inspiration to my carvings. Thank You for that.  And Thank you for the face pattern.  This will be very helpful as face proportions tend to drive me crazy.  Respectfully, Jim Shay”

Carvings by Jim Shay

Thank you for your kind comments, Jim!  I’m sorry to hear about the loss of your wife but I’m glad to know you are near the end of your cancer treatments.  I too am a cancer survivor.  It’s good to see you getting back into carving and thank you for the photo.  Looks like you have been busy lately.  I like Mr. Pear and the sunflower is terrific.  I especially like the way you layered the petals.

The next comment comes from my good friend, Al Santucci from Rockaway, New Jersey who wants to let us know about a product he found that gives a nice metallic look to your carvings.  Al Writes:

“I want to share a finishing detail I found out about. If you want a metallic look, I use Rub’nBuff  from American Art Clay Co.

I just put it on the 1865 revolver I carved, to improve on the finished look. 

I am very pleased with the outcome, it now has an aged look”

It looks like Rub ‘n Buff does a really good job.  Your revolver looks great.  I had the pleasure of seeing Al’s 1865 revolver in person at the North Jersey Woodcarvers show recently and have to say it looks even better in real life than it does in the photo.  Al did a magnificent job on it.  It’s not just a wood carving but a real piece of craftsmanship.  Nice work, Al, and thanks for the tip!

I received a question about lighting from my friend, Patrick Weddle who writes:

“Bob,

Great to talk to you at the Conewago Woodcarving Show this weekend! Sitting in my shop afterwards though I realized that there’s an area where I could use some advice. The problem I have is with lighting for both carving and painting. I use a lot of LED lights for both, but I think the LEDs are too bright because everything looks washed out. There just isn’t enough shadowing. It makes it difficult for me to get shadows in the right places.

I’ve tried florescent lights, an Ott light and others, but I don’t seem to be able to get the right mix. Maybe the angles are wrong. Most of my fixtures are mounted above my work.

Any  suggestions would be appreciated! Patrick”

It was great speaking with you at the Conewago show as well.  Lighting is kind of a wide open topic,  It’s pretty much a matter of what works for you.  Ask 10 people and you will probably get 10 different answers.  I actually just use desk lamps with LED lights.  Nothing fancy but they seem to do the job for me.  They’re probably not perfect but they’re portable, convenient and seem to work fine for me.  I’ll admit the LEDs are bright but with my poor eyesight the brightness helps.

I found that positioning the lamp directly over my work works the best.  If the light is off to one side or the other it creates shadows which I find annoying.  LED desk lamps are not expensive.  You can pick one up just about anywhere for around $20 – $30.

I’m by no means a lighting expert but I hope my answer was at least a little helpful.

Carver’s Corner

“Carver’s Corner” is the section where you can send in photos of your carvings to have them critiqued by me and get my truthful opinions on what you did right and where you might improve next time.  It’s an excellent opportunity to improve your carving skills!  Send your photos to carverbobk@woodchipchatter.com. 

My good friend Tracy Czajkoski has sent in photos of some carvings she would like me to critique.  Tracy says:

“Hello Bob,

Please critique my latest carvings:

I tried utilizing your making “dirt” tip from previous blog with the beaver.

My turtles seem so rough. I think I need to not only sharpen knife more but

perhaps be patient with more experience to get the cleaner cuts? How to get

into tight spaces?

I appreciate your words of wisdom to help me grow as a carver!

Tracy Czajkoski”

Tracy’s Beaver front
Tracy’s Beaver back

Thank you for the photos, Tracy!  I’ll be happy to critique your carvings.

I like your beaver, Tracy!  It’s a very cute carving.  Your dirt looks great.  Was it difficult to work with?  I think the carving overall is good and my main concerns are with your design.  To me he looks more like a gopher or woodchuck coming out of a hole in the ground.  Beavers don’t live in the ground and without the classic beaver tail it’s hard to tell it’s a beaver.  Larger teeth would have helped too.  A large part of a good carving starts with the design work.  Research and learn about your subject before you start carving, and your carvings will be more accurate.

I absolutely love your turtles!  They’re adorable and very well carved and painted.  As a caricature carving I don’t see anything wrong with this one.  I love the way you carved and painted the shells, and how you crossed the legs on the one turtle.  I like how you carved the hands, and the facial expressions really finish off the carving.  Excellent job on this one!

I don’t think your turtles are rough.  Your cuts look clean so your knife must be sharp enough.  It’s always a problem getting into tight spaces.  This is a time when a special tool such as a particular type of gouge or a knife with a longer blade might help.

Photo Shop

“Photo Shop” is the section of Wood Chip Chatter where carvers can send in photos of their wood carvings for display. It’s your chance to show off your work…sort of a show and tell. The photos will only be displayed and no comments or critiques will be made.  For critiques on your carvings send them in to the “Carver’s Corner.”  Send your photos to carverbobk@woodchipchatter.com.

This week’s entries are photos of some carvings done by Darlene Tarlton.

“Klingspor Extravaganza 10/22/2022 Catawba Valley Carving club

Darlene R. Tarlton”

Spectacular work, Darlene, and congratulations on all the ribbons.  They are certainly well deserved.  The wood burning you do on your animals is spot on!

News & Announcements

NOTICE:

I’m announcing that I will be putting Wood Chip Chatter on a partial hiatus for the next few months.  Fox Chapel Publishing (Woodcarving Illustrated) has asked me to write a small woodcarving book (booklet) which for me is both an honor and an opportunity I can’t turn down.

This project, which has already begun will take several months to complete, and will require nearly 100% of my available time.  As such I will not have the time necessary to dedicate to writing Wood Chip Chatter every other Friday.  Therefore, I have decided to temporarily publish Wood Chip Chatter monthly, on the last Friday of each month.  This was a very difficult decision for me but I hope you will all understand.

The next issue of Wood Chip Chatter: Friday, December 2, 2022

Meanwhile, don’t forget the search button at the bottom of the front page of Wood Chip Chatter.  You can use this button anytime to easily search for past blog posts which may interest you.  Simply enter a key word or phrase for the topic you are looking for and the search will bring up one or more past blog posts on that topic.

As always, if you have any woodcarving questions don’t hesitate to contact me. 

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

Schedule:

11/12 – Jim Feather

11/19 – Ryan Olsen

12/3 – John Overby

12/10 – Jarrod Wood

12/17 – Neil Southerland

12/24 – OFF

12/30 – OFF

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!!

Upcoming Workshops

Carving the Nellie Doll

Teacher: Janet Cordell

Dates:  November 11, 14, 21, 28 December 2, 12

Times: 2-4 p.m. Pacific Time, 3-5 p.m. Mountain Time, 4-6 p.m. Central Time 5-7  p.m. Eastern Time

12 hours (6 sessions – 2 hours each day)

Cost: $185 Including Roughout and shipping (US)

 Location: Online (Via Zoom)

Contact Janet Cordell at: janet_cordell@yahoo.com

Raccoon Santa

Teacher: Bob Hershey

Dates: December 3, 4, 10, 11

Time: Sat, Sun – Sat, Sun – 1:30pm-3:30 Pacific /3:30pm-05:30pm Central / 4:30pm – 6:30pm Eastern

8 hours (4 sessions – 2 hours each day)
 

 Location: Online (Via Zoom)

Contact Bob Hershey: bzcarvn@gmail.com

Teacher: Ryan Olsen

Dates:    January 14,15,21,22 in 2023

Times:  Sat, Sun – 9:30am-11:30 Pacific /11:30am-01:30pm Central / 12:30pm – 2:30pm Eastern

8 hours (4 sessions – 2 hours each day)

Cost: $95

Location: Online (Via Zoom)

For details and to sign up email: Ryan Olsen ryanscaricatures@gmail.com 

Online Classes With Chris Hammack

Teacher: Chris Hammack 

Chris Hammack is offering a new series of online classes to help students learn and sharpen their woodcarving skills.  Individual and Group Classes are available through his web site chrishammackart.com/groupclass

Whittle Wednesdays

Teacher: Dwayne Gosnell  

Dates: Two – 2 hour classes each month on Wednesdays

Location: Online (Via Zoom)

To sign up contact Dwayne Gosnell via email dagwood_76@gmail.com

Wishing everyone a Safe, Healthy, Blessed and Happy Thanksgiving!

Keep a sharp edge, and keep on carving’!

Funny Bone

A man knocked at my door and asked for a small donation for the local swimming pool.  So I gave him a glass of water.

Halloween and the Jack-O-Lantern

This week I have a Halloween treat I think you will not only enjoy, but will perhaps also learn a little something along the way.  Enjoy!

The Story of Halloween

Most people think of Halloween as a night of dress up in ghostly or funny costumes, to have parties, or to go “trick-or-treating” and never consider why or how much a holiday evolved from a serious annual rite in ancient times.  What is actually being celebrated is two customs that have been combined into one.

The first tradition is the observance of a Catholic religious day set aside to honor saints.  Referred to as “All Hallows Day” or “All Saints Day,” this holy day is held on November 1st.  The night before  is known as “All Hallows Eve,” from which the name Halloween evolved.

The second celebration is from Northern France and the British Isles where the Celtic people celebrated the end of the Celtic year known as Samhain (pronounced sow-en) or “Summer’s End.”  This festival was a time set aside to honor the dead.  The Celts believed that the realm of the dead, or the spirit world, and the physical world were closest together during Samhain.

The traditional celebration of Samhain included carving jack-o-lanterns from gourds and turnips, then lighting them with coals or candles to show the way for deceased loved ones.  At the same time, these lanterns were believed to ward off evil spirits.  Another version of the celebration indicates that disembodied spirits of those that died during the year intermingled with the living on that night.  They attempted to possess the living to hopes of being allowed to have an afterlife.  In an effort to frighten away the spirits, people would leave their houses unlit and cold, dress up in ghoulish costumes and parade around town being destructive as possible.  This tradition set the stage for today’s children’s refrain “trick or treat.”  When the Europeans arrived in the New World, they discovered a new fruit that was larger than the turnip and easier to carve: the pumpkin.  The pumpkin has been the symbol of Halloween ever since.

The Story of the Jack-O-Lantern

The story of the name Jack-o-lantern has a history of its own.  It derives from a folk tale about a disreputable drunkard by the name of Jack who, upon learning that the devil had come for his soul, tricked the devil into buying him one last drink.  Having no money, Jack convinced the devil to transform himself into coins so that Jack could buy his last drink.  Instead of buying the drink, Jack placed the coins in his pocket along with a silver cross, thus preventing the devil from returning to his common state.  To be released the devil agreed to leave Jack’s soul alone for ten years.

After ten years had passed, the devil appeared to Jack as he was walking down a country road.  The silver tongued Jack managed to talk the devil into climbing an apple tree before claiming his soul.  While the devil was in the tree, Jack pulled out his knife and carved a cross in the base of the tree, thus trapping the devil again.  Again he struck a bargain with the devil, this time extracting a promise that the devil would never take his soul.

When Jack finally died, he went to Heaven but was not allowed in because of his drinking and dastardly ways.  With no place to go he went to Hell.  The devil, remembering Jack’s trickery, refused him entrance.  Jack then convinced the devil that the way back was so dark and windy that he needed a light to find his way.  To get rid of Jack, the devil gave him an ember from Hell.  Jack placed the ember in a turnip he was eating to shield the flame from the wind and began to wander back in the darkness forever doomed.

Reader’s Comments

Last time we had a question from Glenn Calabrese of Fort Worth, Texas about how to finish off a face he had started.  I hope my explanation was helpful, Glenn.  After thinking further about what had said I thought that maybe a couple of patterns would be helpful.  So I’m including these two head patterns (Front & side views) which I believe will go a long way in helping carvers create better faces and heads.  They are very generic patterns which can be adapted to most any kind of face you wish to carve.  You can shrink them or enlarge them to suit your needs.

Following these patterns will enable you to get the general shape of the head correct.  Once the overall shape of the head is correct the rest of the facial details fall into place much more easily.

Side Pattern
Front Pattern

Photo Shop

“Photo Shop” is the section of Wood Chip Chatter where carvers can send in photos of their wood carvings for display. It’s your chance to show off your work…sort of a show and tell. The photos will only be displayed and no comments or critiques will be made.  For critiques on your carvings send them in to the “Carver’s Corner.”  Send your photos to carverbobk@woodchipchatter.com. 

Our first entries to the “Photo Shop” this week come from my very good friend, Al Santucci from Rockaway, New Jersey.  Al likes to carve all kinds of things.  He never gets hung up on one type of carving, but whenever he sees something I’ve carved he has to give the project a try.  So here are a few photo of carvings Al has done based on some of my patterns.

Our next entry comes from my very good friend, Wayne Smith from Nova Scotia who enjoys carving Christmas ornaments all year round.  Here is a photo Wayne sent in of the bright and whimsical Santa ornaments he has carved recently.

Wayne’s Christmas Ornaments

Excellent work, Al and Wayne, and thank you very much for sending in your photos.  They are always greatly appreciated.

Our next entries come from new subscriber, Jim Babcock from Columbus, Indiana who does some beautiful relief carving.  Here are two photos of his work.

Welcome to Wood Chip Chatter!  I’m glad you have decided to subscribe and hope you will find my blog both enjoyable and informative.  You do terrific relief work.  The depth and amount of detail you achieve are both exceptional.  Thank you so much for your photos!

Free Pattern

Here is a Pelican pattern that can be carved in relief or in the round:

News & Announcements

If you’re in the area this weekend stop by the show. It’s a great show and well worth it.

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

Schedule:

10/29 – Rod Gatlin

11/12 – Jim Feather

11/19 – Ryan Olsen

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!!

The Jersey Hills Wood Carvers (JHWC) club is a small but growing group of wood carvers sharing their time, knowledge and joy of woodcarving.  The JHWC generally meets from 7:00 pm to 9:00 pm on the 1st, 3rd and 5th Thursday of each month (when school is in session) at the Jefferson Township High School wood shop classroom.

Membership is “FREE” and open to anyone interested in woodcarving regardless of their ability.

JHWC’s Upcoming Meetings and Events

Nov. 3rd, 17th

Dec. 1st, 15th

Jan. 5th, 19th

Feb. 2nd, 16th

Mar. 2nd, 16th, 30th

For more information contact:

Al Santucci  alsantucci4@gmail.com  President

Bill Brunner  billbrunnerdesign@gmail.com  newsletter/website editor

Or visit:

Website:  https://www.jerseyhillswoodcarver.com/ Facebook:  https://www.facebook.com/groups/736479646821641/

Upcoming Workshops

Santa

Teacher: Dave Stetson

Dates:    November5,6,12,13,19,20

Times:  Sat, Sun – 9:30am-11:30 Pacific /11:30am-01:30pm Central / 12:30pm – 2:30pm Eastern

12 hours (6 sessions – 2 hours each day)

Location: Online (Via Zoom)

For details and to sign up email Dave lcnmichele@aol.com

Carving the Nellie Doll

Teacher: Janet Cordell

Dates:  November 11, 14, 21, 28 December 2, 12

Times: 2-4 p.m. Pacific Time, 3-5 p.m. Mountain Time, 4-6 p.m. Central Time 5-7  p.m. Eastern Time

12 hours (6 sessions – 2 hours each day)

Cost: $185 Including Roughout and shipping (US)

 Location: Online (Via Zoom)

Contact Janet Cordell at: janet_cordell@yahoo.com

Raccoon Santa

Teacher: Bob Hershey

Dates: December 3,4,10,11

Time: Sat, Sun – Sat, Sun – 1:30pm-3:30 Pacific /3:30pm-05:30pm Central / 4:30pm – 6:30pm Eastern

8 hours (4 sessions – 2 hours each day)
 

 Location: Online (Via Zoom)

Contact Bob Hershey: bzcarvn@gmail.com

Teacher: Ryan Olsen

Dates:    January 14,15,21,22 in 2023

Times:  Sat, Sun – 9:30am-11:30 Pacific /11:30am-01:30pm Central / 12:30pm – 2:30pm Eastern

8 hours (4 sessions – 2 hours each day)

Cost: $95

Location: Online (Via Zoom)

For details and to sign up email: Ryan Olsen ryanscaricatures@gmail.com 

Online Classes With Chris Hammack

Teacher: Chris Hammack 

Chris Hammack is offering a new series of online classes to help students learn and sharpen their woodcarving skills.  Individual and Group Classes are available through his web site chrishammackart.com/groupclass

Whittle Wednesdays

Teacher: Dwayne Gosnell  

Dates:  Two – 2 hour classes each month on Wednesdays

Location: Online (Via Zoom) – Visit his web page and see learning opportunities.   To sign up contact Dwayne Gosnell via email dagwood_76@gmail.com

WE NEED YOUR HELP!!!

We are in serious need of your contributions to Wood Chip Chatter.  Your questions and comments help to keep this blog active and going!  Effective discussions are one of the best ways to learn about the topics that interest you.  Remember, there’s no such thing as a dumb question.  Plus we would all love to learn about the unique tips, techniques and products YOU use in your woodcarving process.

We also need more photo contributions to the “Carver’s Corner” and “Photo Shop”.  My “Carver’s Corner” is a great way to get constructive critiques on your carvings so you can learn where to improve on your next ones, and I’m sure you all have some terrific carvings to share in my “Photo Shop” section.  Photos of your carvings liven up the blog’s appearance and make it more interesting. 

Send your questions, comments and photos to carverbobk@woodchipchatter.com.  They will be greatly appreciated.

I want to be sure to wish all of you a very safe and Happy Halloween!  Eat loads of candy!  Just keep your dentist’s phone number on speed dial!

Keep a sharp edge, and keep on carvin’!

Funny Bone

Traditional Santa Carving With Tom Wolfe

Traditional Santa Carving With Tom Wolfe

by Tom Wolfe

Text written with Douglas Congdon-Martin

A Book Review

                                                                   

Tom Wolfe, who unfortunately passed away in September, 2020 was one of America’s most recognized and respected carvers.  A long-standing member of the Caricature Carvers of America, Tom was also a well known instructor and author (over 10 books) who was originally from West Virginia, but was most recently living in North Carolina where taught woodcarving from his studio.

“Traditional Santa Carving With Tom Wolfe” is somewhat of a follow up to Tom’s greatly successful book, “Santa and His Friends”.  Published by Schiffer Publishing, Ltd. (1st edition January 7, 1997) this 64 page full color paperback book takes the carver from start to finish (including painting) of a Santa leaning back while sitting on the floor.  

The photography provides large, clear, close-up photos with easy to follow text explaining each step.  Patterns for 2 other Santas and an elf are included in the book, along with a full color Gallery in the back showing the finished projects.

In addition to the Gallery, there is a section in the back Tom calls “Study Models”  As an added bonus, Tom shows you step-by-step how to carve a Santa face in a pencil.

The one disappointment I have with the book is that I would like to see patterns for more Santa projects as well as carving instructions and photos for at least one more project.

“Traditional Santa Carving With Tom Wolfe” as well as his many other carving books are available through most woodcarving suppliers.  The book is also available on Amazon for $10.27.

Questions Comments

Our First comment this week comes from Bill Jones who writes:

“Nice Penguin project, and thanks a lot Bob. I did a bunch of your simple Santa carvings years ago, and this is similar and will do several.
Bill”

Thanks, Bill!  I’m glad you enjoyed carving my Simple Santa and hope you will have just as much fun with my Simple Christmas Penguin.

Our second question comes from Terry Grimm who wants to know about storing and carving freshly cut (damp) basswood.  Terry states:

“A buddy of mine gave me some basswood for carving. A couple pieces have knots, but that’s okay, it’s free wood.
Kind of damp right now, he said there was 25% moisture content. I have the boards in my basement with a dehumidifier running, he told me it shouldn’t take too long to dry out. Or would it be okay to start carving now, the largest I carve is 2″X2″X4″ flat plane carving.
I think this is going to last me awhile.”

That’s a very good question, Terry.  Keeping your damp basswood in the basement with a dehumidifier running should be fine.  The wood will dry out slowly enough that you shouldn’t experience any serious problems with checking (cracking) on the ends of the boards.  You can also feel free to start carving the wood right away, though.  Carving wet wood is often easier because the wood is softer when wet than when it is dry, which is how the 50/50 alcohol and water mixture works on hard to carve basswood.

I also received two very nice “Thank you” comments this week.  The first one is from my friend, Dan Bennett who said:

"Hi Bob,
Thanks for your suggestions and kind words in reviewing my photo submission last issue.   I really appreciate it. 
—Dan Bennett"
 
You're quite welcome, Dan, and thanks for sending it in, and I hope to see more of your fine work in the future.
 
The second comment comes from my good friend, Tami Wass who said:
 

“Hi Bob ~ I just wanted to say thank you for taking the time to critique my carving. I appreciate the accolades, and the honest and inspiring feedback.

Hope you had a nice time at the CCA Show. My husband and I were planning on going, but he ended up having a gall bladder flare up and we were unable to go. Hopefully next year.

Thank you again ~ Tami”

You’re quite welcome, Tami!  I always appreciate the opportunity to provide my constructive feedback to anyone who asks.  I truly enjoyed seeing your adorable fisherman scene!  Thank you for sending it in, and I hope to see more of your carvings soon.

 

Next, we have a question from Glenn Calabrese of Fort worth, Texas who needs some advice on finishing s face on one of his “gourd heads”.  Glenn asks:

“Hi, Bob. I’ve been enjoying your carving tips and photos. I’ve been carving these “gourd heads” from basswood goose eggs and I’ve run into a carving block on what to do with the mouth, chin on this last one. 

Any suggestions?

Thanks, 

Glenn Calabrese 

Fort Worth, TX”

Glenn’s Gourd Face

I’m glad you’re enjoying Wood Chip Chatter, Glenn, and I really like the gourd heads you’re carving.  I think on your last one you just need to flatten the mouth mound a little.  Make it less pronounced.  Maybe a mustache will help out on this one also.

Take some off the mouth mound and keep going.  I think you’ll be fine.

Carver’s Corner

“Carver’s Corner” is the section where you can send in photos of your carvings to have them critiqued by me and get my truthful opinions on what you did right and where you might improve next time.  It’s an excellent opportunity to improve your carving skills!  Send your photos to carverbobk@woodchipchatter.com. 

Thomas Buie sent in photos of two pumpkin head men he recently carved and would like me to give them a little critique.  Thomas asks:

“Please give me ideas to improve my carving. I have enjoyed the comments you have given me on previous carvings”

Those are two terrific pumpkin head men, Thomas, and I can’t really see anything wrong with them.  They are carved very well with clean cuts and the paint job excellent.  The paint was applied in thin layers so the wood shows through, and a like the way you antiqued the carvings, or is that wood burning.  Either way it looks good.  Perhaps you share what you did with everyone.  I’m sure many of us would appreciate that.

On your next ones you might want to try adding some creases to the cuffs of the pants with a small deep gouge or V-tool.  You can even do it with your knife.  You might also want to add another way to make the creases where the shirt tucks into the pants.  Now this may be a matter of personal preference but I like to make some of my creases in the form of “V”s.  I’ve drawn a diagram (Figure 1) to help illustrate what I mean.  The creases will look much better in person than they do in the diagram.

These “V” cuts are also useful on the inside of the legs behind the knees, and anywhere you want to show stress where a button pulls against fabric.  Notice where these cuts are used behind the knees and where the strap pulls against the overalls in Figure 2.

Lastly, you want to get your elbows to stick out more.  Notice the elbows on my caricature in Figure 2 and how they seem to stick out away from the body.  To do this, make sure the elbows are the widest part of the carving and carve inward towards the shoulders and the knees.  At the same time you want to make the body a little thinner which will give you more wood for the elbows.

Overall you’ve done two very fine carvings, Thomas.  You should be pleased with them as they make nice additions to your Halloween decor.

Our next entry to the “Carver’s Corner” come from my good friend, Vern Freer of Ontario, Canada.  Vern would like to know more about making realistic folds and wrinkles in clothing and faces.  He would also like a little critique on his latest caricature.  Vern writes:

“Hi Bob,

Thanks for sharing the tutorial for your penguin ornament.  It’s a great pattern which can easily be given lots of variation.  I know it will get lots of use in the days ahead.  I was wondering if you might share any tips or techniques you use to make more realistic folds and wrinkles in clothing and faces when carving.

I would like you to critique my new friend Earl Lenmeier (he comes from a past existence).  Earl just loves to be outside in the fall enjoying life.  

Like many, I seem to end up carving pumpkins of some sort in the fall so here is a group photo of some of the latest.  Most of these pumpkins follow Doug Linker’s pumpkin video tutorials which are well done, easy to follow, and just fun to do.

Thanks again for all you do for the carving community!

Vern Freer

Ontario, Canada”

Vern’s Pumpkins

I’m glad you like my pattern and tutorial on the Christmas Penguin ornament, Vern.  Have fun carving it and perhaps you’ll send in some photos. 

I carve folds and wrinkles in clothing with various size gouges.  Then I trim off the hard edges with a knife.  To carve realistic folds and wrinkles in clothing you need a good understanding of how the clothes fit on the body and how the move and pull when the body moves in various directions.  Like anything else, it also takes a lot of practice.  Become a people watcher and take note of how clothing lays and folds on people when they are in various positions.  Drawing simple sketches will help.

There is an excellent reference book out called “Dynamic Wrinkles and Drapery” by Burne Hogarth.  The book is actually written for artists but the same principles apply to woodcarving.  It contains sketches of people in all sorts of positions and clearly illustrates how the clothing wrinkles and stretches as the body moves.  I highly recommend it.

Carving facial wrinkles is done with small gouges and V-tools.  From looking at your carving of Earl Lenmeier it appears you have the hang of it.  As before, just keep practicing.

Now for my thoughts on Earl Lenmeier.  Overall the carving is well done and very pleasing.  I like the job you did on the plaid shirt.  The shape of the face is nicely formed, as all of the details (eyes, nose, ears, mouth, etc.) are done well.  You also did a good job on the hands which are hard to do for many carvers.  Deeper knife cuts all around and less wood burning would look a little better on your next one.  The paint is on a little too thick for my taste.  I like to see the paint applied in thin layers instead of one thick layer so that the wood grain shows through.  And of course, work on adding some wrinkles to the clothing.

That’s a great patch of pumpkins you carved there, Vern!  I really like them.  Nice detail and great facial expressions.  Thanks for sending them in, and thanks for sending in Earl also.  Carving photos are always greatly appreciated.

Photo Shop

“Photo Shop” is the section of Wood Chip Chatter where carvers can send in photos of their wood carvings for display. It’s your chance to show off your work…sort of a show and tell. The photos will only be displayed and no comments or critiques will be made.  For critiques on your carvings send them in to the “Carver’s Corner.”  Send your photos to carverbobk@woodchipchatter.com.

This week we have two more contributions from my good friend, Dean Stewart.  The first one is a photo of the pumpkin he carved with a natural stem.

"Bob,

My wife and I teamed up to make this 6 inch basswood pumpkin with natural wooden stem.  Came out really nice.  Acrylic paint and brown wax.  Happy Fall Y’all.”

Well, Dean, I must say, it looks like a "Great Pumpkin"!
The second is photos of the amazing fox ring he carved for his son-in-law.
 
"Bob

I returned to ring carving recently.  This shy fox is for my son-in-law. It’s carved from basswood, textured with my wood burner and painted with acrylic paint. It was finished with a coat of Howard’s Feed and Wax.”

That’s a cool looking ring you carved, Dean, and you did an excellent job on it.  The carving, wood burning and painting are all very well done. 

Next, we have a photo of the remarkable fish Barry carved.  This is only his second one! “Here is a photo of my second fish.  I have found that I learn with each carving that I do so the next one will be better.” 

Barry’s Fish

Quite a superb job you did on this one, Barry!  Your first one was good but this one really shows the improvements you’ve made.  Very nice work!

Finally, since the month of October is Breast Cancer Awareness Month I thought I would post some photos of my Breast Cancer Awareness Cat.  Thanks for looking!

News & Announcements

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

Schedule:

10/15 – Nikki Reece

10/22 – Bob Hershey

10/29 – Rod Gatlin

11/19 – Ryan Olsen

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!!

Upcoming Workshops

Santa

Santa

Teacher: Dave Stetson

Dates:    November 5, 6, 12, 13, 19, 20

Times:  Sat, Sun – 9:30am-11:30 Pacific /11:30am-01:30pm Central / 12:30pm – 2:30pm Eastern

12 hours (6 sessions – 2 hours each day)

Location: Online (Via Zoom)

For details and to sign up email Dave lcnmichele@aol.com

Raccoon Santa

Raccoon Santa

Teacher: Bob Hershey

Dates: December 3, 4, 10, 11

Time: Sat, Sun – Sat, Sun – 1:30pm-3:30 Pacific /3:30pm-05:30pm Central / 4:30pm – 6:30pm Eastern

8 hours (4 sessions – 2 hours each day)
 

 Location: Online (Via Zoom)

Contact Bob Hershey: bzcarvn@gmail.com

Chris Hammack

Online Classes With Chris Hammack

Teacher: Chris Hammack 

Chris Hammack is offering a new series of online classes to help students learn and sharpen their woodcarving skills.  Individual and Group Classes are available through his web site chrishammackart.com/groupclass

Dwayne Gosnell

Whittle Wednesdays

Teacher: Dwayne Gosnell  

Dates: Two – 2 hour classes each month on Wednesdays

Location: Online (Via Zoom) To sign up contact Dwayne Gosnell via email: dagwood_76@gmail.com

Stay sharp, and keep on carvin’!

Funny Bone

Carve A Simple Christmas Penguin Ornament

Carve A Simple Christmas Penguin Ornament

By Bob Kozakiewicz

This is a 9 step tutorial on how to carve a Simple Christmas Penguin Ornament.

1. Start with a 1″ square x 5 1/4″ block of basswood and mark the blank according to the diagram.

2. Make stop cuts along both the upper and lower lines of the hat trim and cut back to them.  Make a notch cut to undercut below the beak but do not cut the lower trim above the beak yet.

3. Lay your knife blade against one edge of the beak then begin at the point of the beak and make a cut straight back to the back at the hat trim.  Make the same cut on the other side.  These two cuts should form a sharp edge along the top of the beak from front to back.  A few extra small cuts on either side of the beak may be necessary to get both sides to meet evenly at the top.

4. Round off the top and bottom of the hat trim edges all around and begin tapering the hat.

5. Carve the pom-pom and finish carving the hat.

6.Slightly round off all four sides of the penguin’s body.  Be careful not to make the penguin’s body too round.

7. Draw the penguin’s wings on both sides.   Make stop cuts along these lines and cut toward them.

8. Draw a shallow arch across the front from the bottom of one wing tip to the other.  Make a stop cut along this line and cut up to it from the bottom forming a wedge.  Separate the wedge in the middle to form the feet.

9. Paint the hat trim and pom-pom white, then the hat red.  Paint the beak yellow, the front of the penguin white and the rest of the penguin black, including the feet.  Add some extra fine crystal diamond glitter (optional) to the hat fur and pom-pom, Spray with the finish of your choice.  Add a small screw eye on top and hang with a hook, ribbon or colored string of your choice.

Completed Christmas Penguin Ornament

Reader’s Comments

I got a great suggestion this week from Jessi who wrote:

Hi Bob! I just wanted to submit a suggestion for a blog post. Could you write about flat-plane carving?

Jessi

Thank you for writing, Jessi, that’s an excellent suggestion!  I’m not much of a flat plane carver…I just could never master it, but I do know several wood carvers who are excellent at flat plane work.  I am also aware of some books on flat plane carving so I will do some research and see if I can get some flat plane information out in future posts down the road.

Carver’s Corner

“Carver’s Corner” is the section where you can send in photos of your carvings to have them critiqued by me and get my truthful opinions on what you did right and where you might improve next time.  It’s an excellent opportunity to improve your carving skills!  Send your photos to carverbobk@woodchipchatter.com. 

Elise Hartnagel of Palm Harbor, FL send in a couple of photos of a terrific miniature caricature she carved and asked me to give it my critique.  Elise writes:

“Hi Bob,

Here are a couple of photos of a miniature 3 inch figure that I carved in front of a quarter scale dollhouse that I built out of cardboard and craft wood.  Any advise or critique would be welcomed.

I enjoy your wood chip chatter newsletter. 

Elise Hartnagel

Palm Harbor, Florida”

First of all let me say that I hope you made it through the devastating hurricane that just went through Florida earlier this week okay.  We pray for you and all those who lost so much.

It’s not easy to get detail into miniature figures but you seem to have done a good job.  All of the facial feature are there, including the ears which are always a challenge.  I like how you did the collar on the shirt and how you have the back of the necktie showing out from the front of it.

The first thing that caught my eye, though, was that your paint is too thick.  Next time try adding your paint in several layers of thinned out washes of paint and build the color up that way instead of applying it in one thick coat.

Your face is a little too round.  It should be a little more egg shaped.  Try thinning the lower part of the face from the cheeks towards the chin.  Maybe add a shirt pocket next time.  Little details make a big difference.

It looks like you did quite a nice job on your miniature doll house too.  I really like it, and I like that you are enjoying Wood Chip Chatter.  Keep up the good work, Elise!

Our next entry to the “Carver’s Corner” comes from Dan Bennett who writes:

“I certainly enjoy all your guidance in your newsletters!  Thoughts please!

Thanks Bob.  —Dan” 

Thank you for your kind words, Dan!  I’m glad you’re enjoying Wood Chip Chatter.  As I mentioned above I’m not much of a flat plane carver and really admire those carvers who are talented in that form of woodcarving.  From your photos I can see you are quite an accomplished flat plane carver yourself.  Not being an expert in the field it’s difficult for me to judge a flat plane carving but from what I know it appears to me you’ve made all of the major basic cuts.  It may be a little bit too rounded for most flat plane experts but that’s about all I can say.  Perhaps a few more V-cuts for wrinkles in the clothing.

Keep at it, Dan!  You’re well on your way to becoming an expert flat plane carver!

News & Announcements

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

Schedule:

10/1 – Chris Gardea

10/15 – Nikki Reece

10/22 – Bob Hershey

10/29 – Rod Gatlin

11/19 – Ryan Olsen

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!!

The Jersey Hills Wood Carvers (JHWC) club is a small but growing group of wood carvers sharing their time, knowledge and joy of woodcarving.  The JHWC generally meets from 7:00 pm to 9:00 pm on the 1st, 3rd and 5th Thursday of each month (when school is in session) at the Jefferson Township High School wood shop classroom.

Membership is “FREE” and open to anyone interested in woodcarving regardless of their ability.

JHWC’s Upcoming Meetings and Events

Sept. 15th, 29th

Oct. 6th, 20th

Nov. 3rd, 17th

Dec, 1st, 15th

For more information contact:

Al Santucci  alsantucci4@gmail.com  President

Bill Brunner  billbrunnerdesign@gmail.com  newsletter/website editor

Or visit:

Website:  https://www.jerseyhillswoodcarver.com/

Facebook:  https://www.facebook.com/groups/736479646821641/

ASKING FOR YOUR PARTICIPATION!!!

Your contributions to Wood Chip Chatter are a key component to making it the blog that it is.  You may notice that some weeks certain sections are missing and the reason is there were no entries sent in to that section.  For example, there is no “Photo Shop” this week.  I hate to see that and I’m sure you do to.  So let’s all pitch in and do just a little bit once in awhile with a question, comment or photo.  Send them to carverbobk@woodchipchatter.com.  They will be greatly appreciated.

Stay sharp, and keep on carvin’!

Funny Bone

Basic Relief Carving

Basic Relief Carving

This article describes relief carving in the medium of wood, although relief carving is also done in stone and other materials. Relief carving, when done in stone, is usually referred to as relief sculpture.

Relief carving is a type of wood carving in which figures are carved in a flat panel of wood. The figures project only slightly from the background rather than standing freely. Depending on the degree of projection, reliefs may also be classified as high or medium relief.

Relief carving can be described as “carving pictures in wood”. The process of relief carving involves removing wood from a flat wood panel in such a way that an object appears to rise out of the wood. Relief carving begins with a design idea, usually put to paper in the form of a master pattern which is then transferred to the wood surface. Most relief carving is done with hand tools chisels and gouges which often require a mallet to drive them through the wood.

As wood is removed from the panel around the objects traced onto it from the pattern, the objects themselves stand up from the background wood. Modeling of the objects can take place as soon as enough background has been removed and the object edges are trimmed to the pattern lines.

In order to secure the work, a workbench with fixtures like bench-dogs, carver’s screws or clamps, is necessary. Carving tools come in a wide variety of shapes and sizes, some aimed strictly at the hobbyist, but others directed at professional carvers. Some carving tools are held with one hand while the carving is held in the other. But most relief carving requires that the wood panel be secured so that both hands may be on the carving tool.

Much of the skill required for relief carving lies in learning to grip and manipulate tools to get the desired effect. Tool sharpening is also a necessary skill to learn, and dull tools are a severe obstacle and safety hazard to effective carving.

Relief Carving Tools

Stages of relief carving

  1. Create a pattern, drawn on paper.
  2. Prepare a wood panel for carving. This may be a single piece of wood or a laminated panel.
  3. Transfer the pattern to the panel, using carbon paper as the transfer medium.
  4. Remove wood around the objects that comprise the pattern.
  5. Model the objects
  6. Detail the objects
  7. Tidy the background behind the objects
  8. Apply a suitable finish to the panel

Styles of relief carving

  1. High relief, usually between 1/2″ and 2″ in depth.
  2. Bas relief, or Low relief usually under 1/2″ in depth.
  3. Deep relief, usually over 2″ in depth.
  4. Pierced relief, where holes are carved clear through the wood

Some carvers prefer to finish their carving with a clear finish. But others incorporate color and pyrography into their relief carvings.

Source: Wikipedia, the free encyclopedia

Reader’s Comments

A few weeks ago, when I posted my story of how I got into woodcarving I invited all of you to send in your stories as well.  Well Dick Bonewitz from Carmel, Indiana took me up on my offer and sent in his story this week, and it goes like this:

“Bob, I thought I would share a little bit of my story.    I took up carving about 35 years ago, but didn’t do anything serious until about 12 years ago.   I joined our local carving club, Circle City Carvers in Indianapolis.    During a visit to Branson Mo. I heard about the Ozark Woodcarving Seminar held each year in Springfield Mo.    That seminar has changed my entire carving experience and introduced me to so many instructors and types of carving.  I encourage all to check it out.

After carving numerous Santa’s, animals, western men and Indian busts, I wanted to try something different.  I love watching birds and seeing the variety and vibrant colors God put on them.    Thus my new venture into bird carving.  I have purchased a Ram micro  power carving unit and a table top dust collector.   With a ceramic model of a Cardinal, and a Tupelo roughout both purchased from Josh Guge, I am embarking on a new adventure and challenge.   I am getting a couple of days of instruction from Josh, prior to taking his 5 day class in Springfield next March.

I have also found some great books on power and bird carving as well as good resources on Google and Utube. 

My first bird may not be blue ribbon winner (yet to be seen), but my first two Santa’s were really bad and I kept trying.  We all start somewhere, so I’m enjoying this new challenge.

Dick Bonewitz

Carmel, In”

A very interesting story, Dick!  Thank you for sending it in.  As you found out, joining a woodcarving club and taking carving seminars are two of the best ways to improve your wood carving skills because they take you down so many new avenues and open so many opportunities.

Bird carving is a whole different way of carving in unto itself but I think you will enjoy your new venture, and it seems you are on the right track there by getting some lessons, taking a class and watching videos.  I’m sure you will do well and hope you will send us some photos.

My good friend Tracy Czajkoski also sent in the story of her journey into woodcarving and writes:

“It really started when I first admired a wood carved Indian head woggle (neckerchief slide) that my Dad carved in boy scouts. He was 13 years old at the time. He gave it to his grandson (my nephew) when he became an eagle scout. He wore it in his court of honor ceremony I attended. It’s really cool and really good!

Not long after the eagle scout ceremony, I was kicking around in my parents’ attic and came across a box that had another wood carved woggle of a lumberjack head (I think he’s Paul Bunyan). Part of his hat or something was broken off, but again, I thought it was so cool that Dad carved that as a kid. I wished I would have asked him for it and taken it home then. It’s still up there and I can’t wait to climb back up there again and find it. (My Dad is now 87 years old). This lumberjack carving is what made me come back home to western North Carolina and buy a whittling book.

Not sure how I thought to research local woodcarving clubs, but I did and found a club just outside Charlotte, NC roughly 1 hour 45 minutes from my remote location in Lake Lure, NC. However, I read that they held meetings right around the corner from a facility that I’ve had to visit frequently for work! Serendipity!

The Charlotte woodcarvers couldn’t have been more welcoming, giving of their knowledge and helpful with tips & techniques. Right away, I bought the beginners kit (knife, gloves, block of basswood and pattern to carve a comfort bird). I signed up for membership to the club and bought a cool wood carver patch and started receiving newsletters.

I subscribed to Woodcarving Illustrated and started watching YouTube videos about woodcarving. I wanted to absorb everything I could about wood carving. I love it and the friendly fellowship of woodcarvers.

I’ve entered a few of the Charlotte Annual Showcase of Woodcarvings shows. I first entered the novice division in a few different categories but the “miscellaneous, painted” category was my focus. There were about 10 competitors. I entered a carving of a cupcake with sprinkles and a birthday candle. The night before during registration, I spotted two snowmen in my division that I thought would defeat everyone. They were beautifully painted, triple the size of my little cupcake. I was floored the next day when I was awarded a 1st place blue ribbon and the snowmen were 2nd and 3rd. It dawned on me that the judges were looking at how it was carved. It was a “wood carving” competition after all. They looked past the beautiful painting technique on the snowmen as they were very simply carved. While my carving was a lot smaller, my carving was clearly more detailed. I’ll never forget how that felt. This reward for my first entry propelled me to keep carving.

  • Tracy Czajkoski”

What a delightful story, Tracy!  It’s clear to see that woodcarving talent runs in the family and you made all the right decisions to improve your skills along your journey. I apologize, the photo you sent of your nephew along with your story would not transfer to the blog post.

Carver’s Corner

“Carver’s Corner” is the section where you can send in photos of your carvings to have them critiqued by me and get my truthful opinions on what you did right and where you might improve next time.  It’s an excellent opportunity to improve your carving skills!  Send your photos to carverbobk@woodchipchatter.com.

My friend Tami Wass sent in a few photos of an outstanding fisherman scene she recently carved and would like to have it critiqued here in the “Carver’s Corner”.  Tami writes:

“Hi Bob ~ I just wanted to let you know how much I enjoy receiving your emails. I always find them very informative. I also enjoy seeing the pictures sent in by your subscribers. I know it’s a very time consuming task putting this all together, and I appreciate you doing it. Hope for continue for a long time.

I am including a few pictures of a little fisherman that I carved. I am hoping you will critique it for me. Thank you in advance.

Tami Wass” 

Hi Tami…Thank you for writing and thank you especially for your kind and thoughtful words.  They are very encouraging and much appreciated.

I love your fisherman!  It’s a magnificent carving and I will be happy to critique it in my “Carver’s Corner”.

Honestly, I don’t have much to say about it.  It’s excellent in every way.  Although the fisherman itself is a rather average caricature, however well done, you’ve paid exceptional attention to all of the details of the carving scene.  I’m particularly blown away by the dock and all the detail you put into the carving and painting of the planking and pilings.  I would love to know how you did them.  The seagull, bucket and fish are nice additions, and the seagull is well painted.

Perhaps on your next one you might want to try carving more detail into the seagull…like carve in the wings and some of the feathers, particularly on the tail.  Eyes are always hard to do and although your fisherman’s eyes look good the eye lids don’t match.  They should both be the same size and cover more of the eyes, from side to side.

Overall you’ve done a spectacular job and one you should be very proud of.   And always feel free to send in more photos anytime you like.  I can always use them.

Photo Shop

“Photo Shop” is the section of Wood Chip Chatter where carvers can send in photos of their wood carvings for display. It’s your chance to show off your work…sort of a show and tell. The photos will only be displayed and no comments or critiques will be made.  For critiques on your carvings send them in to the “Carver’s Corner.”  Send your photos to carverbobk@woodchipchatter.com. 

My friend, Jim Shay sent in a few photos of the carvings he’s recently done and a little humor to go along with them.  Here’s what he had to say:

“Hi Bob, Thanks for your amazing job with your Blog. I read every issue with pleasure. This weeks is particularly great because I have been able to find a couple carving clubs that are not too far from me and will be attending their upcoming shows.  Due to the recent passing of my wife of 57 years I have not been able to concentrate enough on carving. I have just these last couple weeks been able to dust off the carving bench and do a few easy pieces which I’m including a couple photos of them and also sending a humorous photo I recently found on FB.  Have a great week and know I am a fan and follower of your blog.”

First, let me say that I’m sorry to hear of the passing of your beloved wife.  Second, I want to thank you for your nice words about Wood Chip Chatter.  I so happy you’re a big fan and loyal follower, and that you’re enjoying reading it.

Those are some really cool carving you’ve done and I particularly like the books you carved.  I’ve been meaning to carve a stack of those but like everything else, I haven’t been able to find the time to do it.  And I love the joke!  It’s hilarious!  Thank you so much for the photos.  They are always appreciated.

Free Pattern

Here is a rooster pattern for a relief carving:

News & Announcements

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

Schedule:

9/24 – Carvin’ The Rockies (Live broadcast)

10/1 – Chris Gardea

10/15 – Nikki Reece

10/22 – Bob Hershey

10/29 – Rod Gatlin

11/19 – Ryan Olsen

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!!

Stay sharp, and keep on carvin’!

Funny Bone

“2022 Woodcarving Shows & Events”

Remaining Woodcarving Shows & Events for 2022

The following is a list of the remaining woodcarving shows & events for 2022.  Look for one near you!

September 3 Williamsville, Illinois. Sangamon Valley Woodcarvers’ 31st show at Williamsville Village Hall, 141 W. Main St.; 10am to 4pm. Admission free. Bill Rice (217) 414-4790, williamwrice@sbcglobal.net;www.svwoodcarvers.org.

September 3-4Wheeling, West Virginia. 43rd annual Oglebay Woodcarvers Show in Pine Room at Oglebay Park. Free admission. Email clark@unimaxsystems.com; website www.oglebaywoodcarvers.com.

   September 10 – Janesville, Wisconsin. 16th show sponsored by Rock River Valley Carvers at Rock County Fairgrounds, 1301 Craig Ave.; 9 to 4. Free admission. Email bwkicrandall@gmail.com. Website: rockrivervalleycarvers.com.

September 10 – Eau Claire, Wisconsin. Carve In on the Chippewa at VFW Post 305, 1300 Starr Ave.; 10am to 4pm. Free admission. Rich Thelen1 West Wisconsin Wood Carving Guild, (715) 456-8253.

September 16-18 -Wellington, Ohio. Lorain County Woodcarvers Show at Lorain County Fairgrounds. Fri. and Sat., 9-5; Sun. 10-3. Ann (440) 864-0496; amowery22@gmail.com.

September 17 Muncie, Indiana. Raintree Woodcarvers Show at Delaware County Fairgrounds, 1210 Wheeling Ave.; 10am to 5pm. Randy Sollars (765) 730-0286.

September 17-18 – Denver, Colo. 47th Colorado Carvers Club of Denver Metro Area show at Highlands Masonic Center, 3550 Federal Blvd. Sat. 10-5; Sun. 10-4. $5 per family. www. ColoradoCarvers.org; CCCAnnualShow@centurylink.net.

September 23-24 – Spanish Fork, Utah. Utah Valley Woodcarvers Show at Veterans Memorial Building, 400 N. Main St. Fri. 12-6; Sat. 10-5. Admission $3 (10 and under free). Gary (385) 329-5442; drgaryheaton@yahoo.com. Web: uvwc.org.

September 23-25Honesdale , Pa. 18th Fall Carve In at Cherry Ridge Campsite. No admission fee; cost for materials. Robert Muller (570) 470-2736; rmuller@nep.net. Website: www.cherryridgecarvers.org.

September 24-25 – Colorado Springs, CO.  CCA Carvin’ The Rockies.  Classes with six top-flight CCA member instructors, and vendors on site.  The National Caricature Carvers Competition (open to the public for viewing).  Saturday night social.  CCA carving display.  For applications, entry forms and additional information go to http://www.cca-carvers.org

September 24-25 Wilmot, Ohio. 38th annual Wilderness Center Woodcarvers Show at Wilderness Center, 9877 Alabama Ave SW. Saturday 10am to 4pm; Sunday 11am to 4pm. Website: wcwoodcarvers.com.

September 24-25 – Spokane, Washington. Spokane Carvers present 31st annual show at The Hive, 2904 E Sprague Ave. Free admission. Tim (509) 244-3467; spokanecarversinfo@gmail.com. Website: www.spokanecarvers.com.

September 30-October 2 – Astoria, Oregon. 33rd Columbia Flyway Wildlife Show at Clatsop County Fairgrounds & Expo Center, 92937 Walluski Loop. Jerry (503) 884-7905, or Randy (503) 668-8348. www.columbiaflywaywildlifeshow.com

October 1 – Union, Kentucky. River Valley Woodcarvers Carving Expo at Scheben Library; 10am to 4pm. Email John Schneider at msjdschneides@gmail.com.

October 12 Coon Rapids, Minn. Metro Chapter of Minnesota Wood Carvers hosts 17th Woodcarving Weekend Seminar at VFW Post 9625, 1919 Coon Rapids Blvd. NW. Email Roger: dahjrlia@gmail.com, or Tom: Tbshel@comcast.net.

October 1-2 Sevierville, Tenn. Smoky Mountain Woodcarving Club’s 10th annual show at Sevierville Senior Center, 1220 W. Main St. (classes September 28-30). Contact JR Hemmerlein (309) 620-1197; corngrinder50@yahoo.com.

October 7-9 – Poultney, Vermont. First annual Hannah Woodcarving Competition in Scandinavian Flat-plane Style. Cash awards. Peter Ruby (802) 265-8163.

October 8 Saline, Michigan. Saline Carvers annual show and sale at Liberty School, 7265 N. Ann Arbor-Saline Rd.; 10am to 4pm; $3 donation, children 12 and under, free. Contact Tom Jacobson (734) 476-3441; tomjacobson@comcast.net.

October 8-9 – Denmark, Wisconsin. NE Wisconsin Woodworkers Guild hosts 39th Artistry in Wood at Denmark High School. $5 ages 13 and up; free parking. Sat. 9:30 to 4:00; Sun. 9:30 to 3:00. Call (920) 883-6089. newwg.org/annual-show

October 8-9 – Tacoma, Washington. Northwest Carvers Assoc. presents 41st annual show and sale at Waller Road Grange. Website: www.woodcarvers.org. Email jkjohnson.home@gmail.com, or dthompson956@live.com.

October 89 Candor, New York. Catatonk Valley Wood­ carvers Show. Contact Dave Baldwin (607) 687-4164; email davebaldwin108@gmail.com.

October 15 – Omaha, Nebraska. Mid-America Woodcarvers Association’s 47th annual Fall Show & Sale at German American Society, 3717 S. 120th St.; 9am to 5pm. Free admission. Tom Paskach (402) 321-4784. midamericawoodcarvers.com

October 20-30 Pensacola, Florida. Flora-Barna Cutups Woodcarving Club hosts a competition and display at the Pensacola Interstate Fair. Bert Black (850) 476-4105.

October 2223Wayne, New Jersey. North Jersey Wood Carvers present 36th annual Woodcarving, Arts & Crafts Show at Wayne P.A.L. Call Jerry Cetrulo (973) 835-8555.

October 2829 – Archbold, Ohio. Sauder Village Woodcarver’s Show and Sale in Founder’s Hall, 22611 State Route 2. Deb Ridgway (800) 590-9755, deb.ridgway@saudervillage.org. www.saudervillage.org

October 29-30 – East Berlin, PA. Conewago Carvers Woodcarving and Art Show and Sale at East Berlin Community Center. 9 am-4 pm Sat. & Sun. Contact: Doug Gabel, email: douglasjgabel@gmail.com or Kyle Gabel, email: kylemgagel@gmail.com.

October 2930 Asheville, N. Car. Western North Carolina Carvers exhibit at Folk Art Center, Blue Ridge Parkway, Mile post 382. Saturday 10-5; Sunday 10-4. Free admission. Email: johnnieburg@msn.com.

November 5-6 Bellville, Illinois. 51st Midwest Artistry in Wood Show at Belle-Clair Exposition Hall, 200 S. Belt East; Saturday 9-5, Sunday 10-4. Admission $4 (under 12 free). Website: www.midwestwoodca rvers.com.

November 12-13 – Simpsonville, South Carolina. Piedmont Carvers’ 33rd Sculptures and Designs in Wood Show at Simpsonville Senior & Recreation Center, 310 West Curtis Street.

Reader’s Comments

I received some very nice comments from many of my readers on the story of “My Woodcarving Journey” which I posted last week.  I’d like to post some of them here:

“Hi Bob. I enjoyed your life story of your woodcarving. Sorry to hear about your eye problems now. I met you at the Lancaster woodcarving show this year and signed up for your blog. I enjoy your blog and look forward to it. I especially like your woodcarving patterns. Keep up the good work!

Mark Arbogast”

“Great story Bob. I really enjoyed hearing how carvers started. Keep send us your great e mails.  John”

“Thanks for sharing your story.   Dick Bonewitz”

“Hey Bob, I did not know about your daughter’s athletic successes.  Very cool!  I enjoyed reading your article, I went through a period where I used a surgical scalpel.  Sharp for sure, but the blades were like a 100 of them for $10.  Jim Arnold”

“I loved your “How I Became A Wood Carver” story Bob. Thanks. I enjoyed it. I loved the whole shop class part and got a kick out of you using an exacto knife. Love that adorable little camel!  Tracy Czajkoski”

“Interesting to read your woodcarving story! And thanks for the weekly tips and encouragement.  Mike Dize”

“Hey Bob! I truly enjoy wood chip chatter and appreciate all that you put into it! I enjoyed reading your story of how you got into carving.  Ernie Kelley”

“Hi Bob, Thanks for the very interesting article on your journey through your wood carving career. It was a wonderful read … as are all your newsletters. I hope to be able to send you a pic of my work one day. Stay well,

Richard (Carvinlad)”

Thank you very much everyone!  I’m so glad you enjoyed my story.  I had really hoped you would like it, and your words of encouragement are always greatly appreciated.

We have all gotten into wood carving through different paths and for different reasons.  Perhaps some of you would like to share your story about how you became a wood carver.  Send it in and I will be happy to share it with everyone here on Wood Chip Chatter.

Photo Shop

“Photo Shop” is the section of Wood Chip Chatter where carvers can send in photos of their wood carvings for display. It’s your chance to show off your work…sort of a show and tell. The photos will only be displayed and no comments or critiques will be made.  For critiques on your carvings send them in to the “Carver’s Corner.”  Send your photos to carverbobk@woodchipchatter.com.

My good friend Vern Freer from Ontario, Canada sent in a few photos of some cute carvings his carved from scrap wood.  Vern writes:

“Hi Bob,

Thanks again for critiquing “Gerry”.   It’s good to have input and I appreciate all of your suggestions.  The caricature heads will probably just remain as a group of heads on dowels instead of bottle stoppers – they give me an audience while carving.   

I just wanted to share a recent couple of carvings.  I had some scrap wood left over from another project – one scrap reminded me of a bird in boots so I decided to see if I could find it in the wood.  His name is Earl E. Byrd and he meets up most mornings with Winthrop the worm for breakfast.

Vern Freer

Ontario, Canada”

I’m glad my suggestions were helpful, Vern, and thanks so much for sending in the photos of Earl E. Byrd and Winthrop!  They are two great little carvings.  Very cute, especially put together, and an excellent use of your scrap wood.  I’m looking forward to seeing what you create next!

Free Pattern

Here’s something for our spoon carvers:

News & Announcements

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

Schedule:

9/3 – Daniel Clay

9/10 – Jack Loring

9/24 – Carvin’ The Rockies (Live broadcast)

10/1 – Chris Gardea

10/15 – Nikki Reece

10/22 – Bob Hershey

10/29 – Rod Gatlin

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!!

The Jersey Hills Wood Carvers (JHWC) club is a small but growing group of wood carvers sharing their time, knowledge and joy of woodcarving.  The JHWC generally meets from 7:00 pm to 9:00 pm on the 1st, 3rd and 5th Thursday of each month (when school is in session) at the Jefferson Township High School wood shop classroom.

Membership is “FREE” and open to anyone interested in woodcarving regardless of their ability.

JHWC’s Upcoming Meetings and Events

Sept. 15th, 29th

Oct. 6th, 20th

Nov. 3rd, 17th

Dec, 1st, 15th

For more information contact:

Al Santucci  alsantucci4@gmail.com  President

Bill Brunner  billbrunnerdesign@gmail.com  newsletter/website editor

Or visit:

Website:  https://www.jerseyhillswoodcarver.com/

Facebook:  https://www.facebook.com/groups/736479646821641/

WE NEED YOUR HELP!!!

We are in serious need of your contributions to Wood Chip Chatter.  Your questions and comments help to keep this blog active and going!  Effective discussions are one of the best ways to learn about the topics that interest you.  Remember, there’s no such thing as a dumb question.  Plus we would all love to learn about the unique tips, techniques and products YOU use in your woodcarving process.

We also need more photo contributions to the “Carver’s Corner” and “Photo Shop”.  My “Carver’s Corner” is a great way to get constructive critiques on your carvings so you can learn where to improve on your next ones, and I’m sure you all have some terrific carvings to share in my “Photo Shop” section.  Photos of your carvings liven up the blog’s appearance and make it more interesting. 

Please send your questions, comments and photos to carverbobk@woodchipchatter.com.  They will be greatly appreciated.

Funny Bone

How I Became A Wood Carver

How I Became A Wood Carver

(My Woodcarving Journey)

By Bob Kozakiewicz

As kids we were always told never to play with knives, and if you’re like me you didn’t own your first pocket knife until you were old enough to buy one yourself. I couldn’t wait to own one!  Then the day finally came.  Ahh, my first pocket knife!  It was a beauty…a three blade Old Timer that I kept in my pocket everywhere I went, and after more than 55 years I still have that Old Timer pocket knife today.  As a young boy I must have shaved a forest’s worth of sticks with it!  There was just a special pleasure I got from the feel of that knife blade cutting through a piece of wood.

That desire to cut wood with a knife never left me, but as I grew older I needed to do more than just shave sticks.  Like most beginners, though I didn’t have any idea where to start.  Fifty five years ago there was no YouTube or videos you could learn from.  I didn’t know anything about the existence of local carving clubs, if there even were any at all back then.  The Caricature Carvers of America (CCA) hadn’t even been formed yet!

Then I caught my big break!  At 15 years old I was taking a school shop class (God, how I wish they still taught things like shop in the schools today) making the standard shop projects like gun racks and book shelves along with the other boys,  The shop had a small bookcase with some books one woodworking from which some students would get project ideas.  One day I had been looking through the books on the shelves and suddenly, like it was sent from heaven out popped a book on whittling animal caricatures!

The book was titled “Carving Animal Caricatures” by Elma Waltner.  It was filled from cover to cover with cool projects on carving cute caricature animals like goats, giraffes, pigs and hippos.  I was in love!  So with hope in my heart I asked my shop teacher, Mr. Schulman, if I could carve some of the projects from the book rather than make the standard shop projects all the other guys were making.  To my amazement he said “yes.”  I almost passed out!  It was one of the happiest days of my life!

X-acto knife with #11 blade

I picked out my first animal project from the book, a camel, cut it out on the shop bandsaw and got started whittling right away.  The next part is a little fuzzy because I wasn’t using my trusty pocket knife, but for some reason chose to use a thin X-acto knife with a tiny #11 blade.  Many of you probably know the knife I’m talking about.  The handle is not much thicker than the diameter of a pencil.  Why I chose that knife I’ll never know but I whittled just about every single animal in that book (and still have them all in my collection today) with that little X-acto knife.  It took me days, probably a week or more to carve each animal but boy I loved every minute of it.  I couldn’t put it down…the wood carving bug had bitten me!

Camel – My first wood carving

Shop class was a four year course so I whittled on right through high school, and meanwhile found a few other books by Ben Hunt and E.J. Tangerman which had more challenging projects.  And so my carving skills began to progress.

A few years later, maybe in an adult school class (I don’t remember) I came across a carving instructor, Henry Imp, who was interested in forming a whittling club.  We gathered up about a dozen interested people and formed the “Whittle Ones”, of which after a few short years I became the President.

It was during this time that I finally was introduced to “real” wood carving knives.  My first one was a Murphy knife which I used for a number of years.  I owned several of them.  The “Whittle Ones” remained as a small club and never did much more than conduct monthly meetings.  During that time, however, I found the North Jersey Wood Carvers (NJWC), a larger, much more active club that met once a month and also (to this day) holds an annual Woodcarving Show.  With the “NJWC” I was also eventually made Vice-president and President.  The “Whittle Ones” were short lived and eventually dissolved.

During the late 1970’s I used X-acto, Murphy, Warren, and one or two other knife brands as I continued to improve my wood carving skills.  I collected wood carving books and also learned from watching and talking to other wood carvers.  Joining a good woodcarving club is one of the best ways to hone your carving skills and so my carving abilities improved rapidly.  Soon I began to enter carving competitions in the “NJWC” shows as well as other club’s shows such as the “Delaware Valley Wood Carvers” shows.  I was fortunate enough to win blue ribbons in every competition I entered.

Then in 1987 my daughter, Christina was born and I put my wood carving aside to raise her, I spent many of the next several years training her to become a lacrosse goalie.  She became an all-county and all-state goalie and set several high school records!  Then between 2006 and 2009 when she was in college my hard work really paid off.  She became a two time NCAA National Champion playing women’s lacrosse for Adelphi University!  So for about 20 years I didn’t even pick up a carving knife.  It was around 2007 when training my daughter was finished that my passion for slicing wood with a sharp steel blade returned and I began carving again.  When I got back to it, it was just like riding a bike…something you never forget.  I picked up right where I left off.  That was when my interest in caricature carving began.

It was also around that time that I discovered the Mike Shipley knife, which is what it was originally called back when Mike Shipley was making knives under his own name.  I own several of them and they are excellent carving knives.  Today, Mike makes carving knives under his new company name, “OCCT”.  I think they are still among the best wood carving knives on the market and are widely available from almost any woodcarving supplier.

It was around 2014 when I discovered Helvie knives (back then you could still get them) and today I have a box full of them.  Helvies have become so popular that they are close to impossible to get nowadays.  In my opinion, though they’re the best wood carving knives on the market, and today I use them exclusively.

My interest in carving caricatures flourished and I spent most of my time carving small caricatures, Santas, Elves, ornaments, bottle stoppers and fridge magnets…anything that was of caricature nature.  I began entering woodcarving shows and competitions again, and continued to win awards for much of my work.

I still enter the “North Jersey” and “Delaware Valley” shows and competitions as well as others such as the “Conewago Carvers” and the “Lancaster County Wood Carvers” shows and competitions, and am fortunate to still win top awards.  I have even placed First in the prestigious Caricature Carvers of America (CCA) Annual Caricature Carving Competition.

I’m 70 years old now and my eyesight is failing, so my carving is slowing down.  I find that I can’t seem to carve detail as well as I used to, and I can only carve for about half an hour before fatigue causes everything to become a blur, and my left eye goes completely blind.  Although I still enjoy exhibiting in woodcarving shows I have recently stopped competing.  Whether you’re an exhibitor or an attendee, woodcarving shows are a great way to get out and meet your friends and make new ones.

I now enjoy instructing other wood carvers, especially beginners, and much of that instruction is done through the articles I write for Woodcarving Illustrated and through my blog, Wood Chip Chatter which I publish by email every other Friday.

I used to sell my work but gave that up about a few years ago because I found that all the money I was making still wasn’t worth the time and effort I was putting into it.  Now I just give my carvings away.  There’s just a certain warm feeling you get when you give a carving you put your heart and soul into to someone who really appreciates it.  It truly is better to give than to receive!

Carver’s Corner

“Carver’s Corner” is the section where you can send in photos of your carvings to have them critiqued by me and get my truthful opinions on what you did right and where you might improve next time.  It’s an excellent opportunity to improve your carving skills!  Send your photos to carverbobk@woodchipchatter.com.

Our first entry to the “Carver’s Corner” this week comes from my friend, Vern Freer of Ontario, Canada who sent in some photos of “Gerry”, his hipster caricature he carved.  Vern wrote:

Hi Bob,

Thanks for the great articles and helpful tips that you have taken the time to write for the benefit of carvers (regardless of where they’re at in their journey).  I have switched from boiled linseed oil to walnut oil and have been pleased with the results.  It really seemed to me to be an all round win to switch.

I just thought I would try to send in a few photos before I forget.  His name is Gerry, kind of an old hipster (he still knows all the moves – even if he can’t execute them the way he used to). I would be happy to have you critique Gerry.

I have been using Pete LeClair’s books for the last six or seven months to try and get a handle on caricature carvings.  I have both Carving Heads and Faces as well as his book  Carving Caricature Figures from Scratch and have found them to be great resources.

I have also included a photo of some of the heads which came out of using Pete’s book which could just be for show.  They are some of the earlier carvings  I’ve done this year.

Thanks again for all you do for the carving community.

Vern Freer

Ontario

Canada

Thank you so much for your kind words, Vern!  Comments like that are greatly appreciated and let me know I’m on the right track with Wood Chip Chatter.

You did a terrific job on Gerry and I can see you are really benefiting from your two Pete LeClair books, which I highly recommend to any wood carver interested in caricature carving.  I like everything about your carving from top to bottom.  The face, including the eyes, nose and mouth is very well carved, and you’ve given it a good expression.  The ears and hair are also done well.  I especially like the way you carved the hands, which many wood carvers struggle with.  Both hands show good proportion and detail.

There is always room for improvement, though, and what I mostly see is to concentrate more on adding detail.  Things like shirt collars, buttons and pockets will dress up your carvings nicely.  Also, concentrate more on the clothing wrinkles.  Wrinkles are large and small, and go in different directions depending on where the are located.  Lastly, I noticed, and this may just be an oversight, that you carved a belt in the back of the carving but did not continue it around to the front.

I enjoy seeing the carvings you do, especially your series of carved vegetable caricatures which you post on Instagram.  Keep up the great work you’re doing.

This week’s second entry to the “Carver’s Corner” comes from Wade Buie who would like a critique  on the fabulous Santa he carved.  Wade writes:

“Bob,

I would like you to let me know what I can do to improve my carving and what I might have done well

Thanks

Wade Buie”

Wade’s Santa

That’s an overall excellent job you did on that Santa, Wade!  I like your choice of colors and especially like that you mounted it on a base.  All the trim looks good as does the beard.  You used nice “S” curve cuts on the beard which make a big difference, and I like how you have the boots showing from beneath the robe.

I would have placed the belt a little higher up on the waist, and although the overall face looks fine more practice on carving eyes and noses will help on future carvings.  Also, study some of the videos that are available out there on carving faces.

Just let me know and I’ll be happy to go into more specifics next time.

Photo Shop

“Photo Shop” is the section of Wood Chip Chatter where carvers can send in photos of their wood carvings for display. It’s your chance to show off your work…sort of a show and tell. The photos will only be displayed and no comments or critiques will be made.  For critiques on your carvings send them in to the “Carver’s Corner.”  Send your photos to carverbobk@woodchipchatter.com.

Our frequent contributor, Heath Paull made some good use of his time while on a recent camping trip.  Heath said:

“Camping and carving, doesn’t get much better. Thanks to James Miller for sharing his skills in his recent publication.”

Heath’s squirrel and rabbit

There certainly is nothing much better than camping and carving and those are two really nice carvings you did there, Heath!  Thanks so much for sending them in!

Our second photo comes from, Jack Proseilo from British Columbia, Canada who carved his version of a patriotic Canadian Santa from my Simple Santa pattern.  Jack writes:

“Greetings Bob, 

        Just finished your latest blog and thought why not? I’ve been sharing your blog with our carving group here ,hopefully when we get going again I will find  some of your Santas kicking around? Of course I had to do one but tried to give it a Canadian slant, too bad we only have two colors as a third would have helped?? 

       Thanks for your effort trying to keep us carvers interested. 

       Jack Proseilo        West Kelowna , B.C. Canada”

Jack’s Canadian Santa

I love it, Jack!  Thanks for sharing my blog with your carving group.  Maybe you can talk them into subscribing!

I think just the two colors look good.  Sometimes less is more but if you want to add a little more color try painting the gloves black or green.  You might also try painting some holly leaves on the hat for more color. 

Have a great summer and thanks so much for sending in your Santa.  I really appreciate it. 

Our final entries to the “Photo Shop” this week come from Vern Freer of Ontario, Canada.  Vern carved three caricature heads with the aid of Pete LeClair’s two books,  “Carving Caricature Heads and Faces” and “Carving Caricature Figures from Scratch.”

“The Guys” – Vern’s caricature heads

Terrific job on your three guys, Vern!  Are you going to make them into bottle stoppers?

News & Announcements

NOTICE:

This message goes out particularly to Jim Shay who asked the following question back on February 18, 2022:

” I stumbled onto a YouTube video named “ Caricature Heads Day 1 and has a follow up named Caricature Heads Day 2. The instructors name is Bryan Middleton and was from Canada. He has passed away since these videos were made. My question is, do you happen to know of these videos and where a copy of the instructional hand out he used when he did the classes he taught ? His methods are so simple and informative. Even my old tired brain understands what he is teaching. I’d love to get my hands on one of his handouts.   Thanks for reading my request,  Jim Shay.”

I just got a message from, Derek Grieve about locating the manual you are looking for so you may be in luck!  Derek Said:

“In reading this blog, a reader was asking where he could find an instruction manual from a deceased carver, Bryan Middleton. I may be able to get my hands on this but time is of the essence. If the enquirer wants to email me at grieved@yahoo.com, its an outside shot but I may be able to locate the manual.”

Jim, please contact Derek Grieve as soon as possible and he may be able to help you out.

New Wood Chip Chatter Search Feature

I‘m pleased to announce that I have just added a new Search feature to my Wood Chip Chatter Home Page, located at the lower right hand corner of the page.  A Search box.  Now if you want to refer back to an old blog post for something you just have to type what you are looking for into the Search box and it will bring up the blog post you want. The feature works best if you know the title of the post you want to find, but it will also work with key words that are buried within the post.  For example, if you are looking for the post titled “Cleaning Paint Brushes”, you would type that into the Search box and it will bring up that post.  On the other hand, if you wanted to find that post but didn’t know the exact title, you could just type “paint brushes” into the Search box and it will bring up the post plus a couple others containing the words “paint brushes” in them.

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

Schedule:

8/20 – Malcom Sharp – Twisted Sticks

9/3 – Daniel Clay

9/10 – Jack Loring

9/24 – Carvin’ in the Rockies (Live broadcast)

10/15 – Nikki Reece

10/22 – Bob Hershey

10/29 – Rod Gatlin

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!!

Keep a sharp edge, and keep on carvin’!

Funny Bone

Understanding Micro-bevels

Understanding Micro-bevels

By: Del Stubbs, Pinewood Forge

A micro-bevel is just that, a very tiny bevel at the very edge of a knife, sometimes so tiny they are invisible to the naked eye, or up to a max of 1/32 ” wide, which can be seen. The principle reason is to provide toughness right at the edge, without sacrificing the geometry of the blade. They are used on chisels, power and hand planes, saw blades, and even certain carving knives.

They are essential in the Harley knife in particular (named after the woodcarver Harley Refsal) because it has an unusually thin included bevel angle (13 degrees). The reason for such a thin bevel is ease of cutting – this is allowed in this knife only because it is designed for just one task – straight flat cuts in soft basswood. For any other tasks (cutting hollows, hard basswood, knots etc.) one would need a more normal heavier beveled knife (16-25 degrees). By adding an ever-so-tiny micro-bevel to each side of a Harley knifes’ edge it loses very little efficiency, but toughens up the edge just enough to make such a thin knife very serviceable. ( There is an illusion about knives being thin – the Harley knife has a very thin included bevel angle – because this continues all the way to the back of the knife it looks thick at the back – this make it wonderfully strong without sacrificing cutting ease. There are knives made of much thinner stock – but which have much thicker actual bevels near the edge – so even though they look like they would cut easily they may not.

Honing

Stropping is for keeping the edge on your knife. If you have inadvertently rounded the cutting edge of the knife too much while stropping or improper honing, no amount of further stropping will fix the roundedness. You must then hone it flat again (600-1200 diamond stone works well for this purpose, 1200 if only a very small amount of honing is required).

Have the hone situated so it can’t slide (most diamond stones come with rubber feet for this purpose.) Lay the knife flat on the hone, put one or two fingers on the blade to gently press it down – to keep the entire blade flat on the hone. With a sawing motion pull and push the knife back and forth, slowly working your way down the hone, away from the edge. (Diamond stones can be used dry – or with a lubricant, soapy water works well if you feel you need a lubricant.)

The shiny surface of the knife should be very quickly dulled, enabling you to be able to see that right near the edge it is still shiny – this is the rounded part of the knife you are honing going to get down to. All carving knives have some flexibility out near the tip – keep this in mind as you hone – keep pressing evenly all the way to the tip by having a finger there if need be. By examining where the knife surface is dulled – or not – you can see if you are maintaining even pressure. Keep honing until there is no shiny line at all near the edge – then flip over and repeat on the other side. If you have a 1200 grit ( extra fine) diamond hone, repeat the same process with it to remove scratches from the coarser hone, but you can end honing with a 600 grit (fine) hone.

How to add a micro-bevel

Use a wood-backed leather strop with stropping compound. (note: most kinds of stropping compound work ok, but not jewelers rouge {red compound} – it is for soft metals).

To create the micro-bevel, lay it flat on the strop, then raise the knife the thickness of the back of the blade. Give a half dozen firm strokes the length of the strop to each side of the blade, keeping it at this angle.

Under a strong light source, turn the blade until you can see the new micro-bevel. It should be about 100th of an inch, which is equivalent to the thickness of about 2-3 sheets of regular paper. Importantget magnification, I use 3 to 4 power reading glasses I get at the dollar store. When you can easily see a micro-bevel it will make sense, then you can start to learn about them.

The edge is now toughened microscopically, but still allows for very efficient woodcarving. If you carve with it and it still breaks down it means that you need a heavier micro–bevel for your particular wood and style of carving techniques.

Maintaining the edge

From now on, the best way to maintain the edge is to strop with the blade flat on the strop. This should maintain the micro-bevel as well (this is because of the natural cushion on the leather).

Eventually, after many many hours of carving, you may find that the bevel is getting too rounded again, you may then go back to the hone, following the above instructions.

Perspective

Harley Refsal carves hundreds of hours a year, yet some knives he has never honed, at most he hones once a year. It could be that Harley doesn’t even know what a micro-bevel is – he is too busy carving! My point being – don’t get obsessive about micro-bevels or sharpening.  Just enjoy carving!

Reader’s Comments

I received one comment this week and it comes from Bill Glisson who remarks about Pete LeClair’s book, “Carving Caricature Heads and Faces” which I reviewed last week.  Bill writes:

“Bob, I own a copy of Pete LeClair’s book and I agree with you that it is an excellent book! I am an avid follower of Lynn Doughty and have always had a difficult time carving ears the way he does. Pete’s method resolved that weakness for me!! There are a few photos in his book that are a little hard to decipher as to what he is describing but overall I am very happy with my purchase. I recommend it highly!”

Thanks for your input, Bill. I agree. Some photos in books are not always clear. Fortunately, most of what Pete’s content is generally clear and understandable. Pete also has two other books that are both excellent which I plan to review down the road.

Lynn Doughty is an outstanding wood carver and another good one to follow.  He has a unique style of carving western style caricatures and uses some interesting techniques.  Although he doesn’t instruct  on the traditional wood carving circuit nor has he written any woodcarving books he demonstrates his skills and techniques through the many videos he makes.  You can find Lynn’s video’s at outwestgallery.com.

Oil Bleeding Problem

My good friend, Kevin Johnson from York, Pennsylvania called me last week and mentioned that he had a few small carvings which he had soaked in walnut oil prior to painting, and has now noticed that the carvings are leaving oil marks on the surfaces of where he displays them.  Right away I knew what his problem was.  He soaked the entire carving in the walnut oil prior to painting.

The first thing I told Kevin was that first of all, ALL oils take a long time to dry.  It doesn’t matter whether you are using boiled linseed oil, walnut oil or any other kind of oil (that has not been manufactured with drying chemicals).  To solve the problem, I told him to never soak an entire carving in oil.  Instead, apply the oil with a brush and do not apply the oil to the bottom of the carving.  Also, as soon as the oil is applied, blot off the excess oil with a paper towel which will keep the oil from running all over the place and getting onto the bottom of the carving.

The difference between soaking and brushing is that when a carving is soaked in oil the oil not only coats the surface but also absorbs further into the wood (especially if the bottom is also soaked in the oil).  Brushing the oil on only coats the surface of the wood, which is where you really want it anyway if you are planning to paint afterwards.  The oil on the surface dries much faster than the oil which has soaked into the inside of the wood, so your carving dries faster.  The oil which has soaked into the wood (i.e. from soaking the bottom) will naturally take longer to dry, and because it is still wet, it will “leak” out through the bottom of your carving for an extended period of time.

The reason for applying oil to a carving is to keep the colors from bleeding into one another.  So it makes sense that you want to apply oil to the areas that you intend to paint.  Applying oil to the bottom of the carving which is not going to be painted serves no purpose.

I have never experienced any problem with oil bleeding through the bottom of a carving when following the method I described above.

Photo Shop

“Photo Shop” is the section of Wood Chip Chatter where carvers can send in photos of their wood carvings for display. It’s your chance to show off your work…sort of a show and tell. The photos will only be displayed and no comments or critiques will be made.  For critiques on your carvings send them in to the “Carver’s Corner.”  Send your photos to carverbobk@woodchipchatter.com.

Our only entry to the “Photo Shop” this week comes from Dean Stewart.  Dean came up with a brilliant idea to make those popular ddalo chickens into something functional.  Dean writes:

“My latest @ddalo_carver inspired chicken.  I enjoy making carvings that have a practical side.  And well every carver needs a sharp pencil!”

A really “sharp” idea (I had to say it!), Dean!  Once carvers see your chickens I think we’ll be seeing more of them showing up in the future.  I like the idea of using a round sharpener which easily fits into a hole drilled with a forstner bit.  I make a few owl pencil sharpeners using rectangular sharpeners but they were very difficult to fit into the bottom of the carving.  Great job!

Since we have only one entry to the “Photo Shop” this week I thought I would add one of my older carvings.  A few years ago I had a customer who wanted a bottle stopper mounted on a golf tee.  Here is the result:

Free Pattern

Greenman

News & Announcements

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

Schedule:

8/20 – Malcom Sharp of Currahee Twisted Sticks

9/3 – Daniel Clay

9/10 – Jack Loring

9/17 – TBA

9/24 – Carvin’ in the Rockies (Live broadcast)

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!

I NEED YOUR HELP!!!

We are in serious need of your contributions to Wood Chip Chatter.  Your questions and comments help to keep this blog active and going!  Effective discussions are one of the best ways to learn about the topics that interest you.  Remember, there’s no such thing as a dumb question.  Plus we would all love to learn about the unique tips, techniques and products YOU use in your woodcarving process.

We also need more photo contributions to the “Carver’s Corner” and “Photo Shop”.  My “Carver’s Corner” is a great way to get constructive critiques on your carvings so you can learn where to improve on your next ones, and I’m sure you all have some terrific carvings to share in my “Photo Shop” section.  Photos of your carvings liven up the blog’s appearance and make it more interesting. 

Please send your questions, comments and photos to carverbobk@woodchipchatter.com.  They will all be greatly appreciated.

Keep a sharp edge, and keep on carvin’!

Funny Bone

Who says nothing is impossible?  I’ve been doing nothing for years.

Carving Caricature Heads & Faces

Carving Caricature Heads & Faces

by W. “Pete” LeClair

A Book Review

“Carving Caricature Heads & Faces” is another one of three excellent woodcarving books written by noted wood carver and instructor Pete LeClair.  Published in 1995 by Schiffer Publishing, Ltd., this 64 page full-color book Shows you everything you need to know about how to carve caricature heads and faces.  With accurately captioned color photographs Pete takes you step-by-step from start to finish through the process  of carving a caricature head, including the painting steps to create your own comical bottle stopper.

“Carving Caricature Heads & Faces” gets right into the meat of the carving right from the first page, although I see that as a plus and a minus at the same time.  While the entire book is dedicated to carving, painting and finishing a bottle stopper project, no time is spent on topics such as wood, tools and safety the way most carving books do.  I found the cover of the book is a little misleading when it states there are “33 Caricatures with Step-by-step Carving Instructions.”  There are around 33 examples of caricature head bottle stoppers, most with 4 views, however, there are step-by-step instructions for carving only one of them.

In all, I found “Carving Caricature Heads & Faces” to be an excellent instructional book.  With Pete’s simple carving style and easy to follow instructions anyone can be carving caricature heads and faces in no time at all!  The book is available through most woodcarving suppliers.

Pete LeClair lives in Fitchburg, Massachusetts.  He is a nationally recognized wood carver who teaches carving around the country and is a member of several carving clubs throughout New England, including the prestigious Caricature Carvers of America.  Pete is one of my favorite carvers.  I like his carving style and have adapted much of it into my own way of carving.

Questions & Comments

This week we heard from Rick with a question about using spray finishes over walnut oil.  Rick writes:

“Hi Bob,

After you coat a carving in walnut oil and paint, do you ever spray a finish over that?  I have tried spraying a Krylon matt finish the n several and it looks perfect at first but after a few weeks the carvings I have done with oil start developing some areas that are shiny.  I attached a picture where you can see some streaks of this on the brown leg.  Is there a better way to finish over the oil?  I like the spray type finishes since they are something you don’t have to redo again later and should seal it off well. I know people spray finishes like this over BLO so I assumed it might work ok, but maybe this is showing me there is some reaction going on or the oil is trying to come through the finish.  I greatly appreciate any insight you might have.  Hope you are having a great summer !

Rick Carver”

Walnut oil takes a long time to dry…much longer than boiled linseed oil.  From what I can see in your photo it appears that the oil is bleeding through the finish because it is not dry yet.

This is how I finish my carvings: 1) Apply a coat of walnut oil and allow to dry overnight, 2) Paint your carving and allow the paint to dry completely, 3) Apply a coat of Krylon clear matte acrylic spray and allow to dry for 2 hours, 4) Apply a coat of Howard FEED N WAX.  Let dry for 20 minutes.  Then buff with a soft cloth and a horsehair shoe brush.  I’ve never noticed any problems with this technique.  

I suggest giving your carving a coat of Howard FEED N WAX as in my Step 4.  That may solve your problem.  I hope this helps, but let me know how it works.  Now a question for you: Are you seeing this problem on other carvings or just this one?

Carver’s Corner

“Carver’s Corner” is the section where you can send in photos of your carvings to have them critiqued by me and get my truthful opinions on what you did right and where you might improve next time.  It’s an excellent opportunity to improve your carving skills!  Send your photos to carverbobk@woodchipchatter.com. 

We received entries from John Robinson this week of three excellent carvings he did of a caricature horse, and two hummingbirds.  John wrote in and said:

“Put these in Carver’s Corner I would hate to see a great thing end. Thank you Bob  K.”

Thank you so much for contributing to the “Carver’s Corner”, John.  I greatly appreciate any photos I can get from my readers.  John’s first entry is a very well carved and comical caricature horse.

John’s Horse

That’s a magnificent job you did on the horse, John!  Extremely well carved and very well painted.  You actually got the paint job to look like real horse hair and the anatomy is quite accurate.  I also like the added scenery which makes a huge difference to the overall look of the carving.

A little while back I did a segment on “How to make dirt.”  I like the way yours turned out.  Perhaps you can tell us how you made yours.

The hillbilly scene in the background came out good too.  I like all of the accessories you added to make the scene look real there.  I would go lighter on the paint next time, like you did on the horse, and work on adding a little more detail to your caricatures in the future.

John’s Hummingbird #2

Your hummingbirds are both very well done too.  You did a great job on the carving and painting, and the way you put the habitat together makes everything look very realistic.  My concern is with the wings and tails here.  Go with a lower setting on your wood burner so your lines are not so dark.  Also, some of the areas appear to have no wood burning detail where there should be some, which makes the carving look incomplete.  The tail feathers on the second hummingbird are too thick at the ends.  Next time, thin the very edges down so that they look more like real feathers.  And lastly, the tails and wing tips are not painted.  I’m sure you did that intentionally, but next time I would paint them which will cover up the darkness of your burn marks and make the carving look more realistic.

Photo Shop

“Photo Shop” is the section of Wood Chip Chatter where carvers can send in photos of their wood carvings for display. It’s your chance to show off your work…sort of a show and tell. The photos will only be displayed and no comments or critiques will be made.  For critiques on your carvings send them in to the “Carver’s Corner.”  Send your photos to carverbobk@woodchipchatter.com. 

Our first entry to the “Photo Shop” this week comes from John Brian who carved a series of soldier busts depicting the various uniforms worn during different periods over the ages.  John writes:

“This is something I’ve been wanting to do for a long time.  It represents the different periods of Army uniforms – Revolutionary War, Civil War, Cavalry, WW1, WW2 and today.

John Brian”

John Brian’s Soldiers’ Uniforms

Those are excellent carvings, John, and that’s a terrific idea you had.  You really challenged yourself by taking on a project like that.  I’m sure everyone will appreciate seeing these different period uniforms you carved.  Thanks again for the photos!

Our next entries come from my good friend, Tony Harris from Tennessee.  Tony kept busy doing a little carving on the beach (one of my favorite places to carve) while on vacation.  Tony writes:

“Here is a couple carvings worked on while on vacation at Panama City Beach. Gunslinger was a Phil Bishop roughout,  golfer is a Mark Akers roughout.  I wasn’t sure of which one to send, so I sent both.  Lol”  

Thanks for the photos, Tony!  What a beautiful place to carve.  You look nice and relaxed.  The carvings are incredible.  I’ve been wanting to carve one of those golfers with the golf ball inside for a while.  Carving the golf ball was such a cool idea.

“Here’s one my wife liked of me carving on the balcony of our condo. I was working on an ornament.  =] “

Tony carving on the balcony

News & Announcements

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

NOTE:  During the months of July and August meetings will be held only once per month…

Schedule

7/23 – Guy Nelson

8/20 – Malcom Sharp – Twisted Sticks

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!!

The Jersey Hills Wood Carvers (JHWC) club is a small but growing group of wood carvers sharing their time, knowledge and joy of woodcarving.  The JHWC generally meets from 7:00 pm to 9:00 pm on the 1st, 3rd and 5th Thursday of each month (when school is in session) at the Jefferson Township High School wood shop classroom.

Membership is “FREE” and open to anyone interested in woodcarving regardless of their ability.

JHWC’s Upcoming Meetings and Events

Sept. 15th, 29th

Oct. 6th, 20th

Nov. 3rd, 17th

Dec, 1st, 15th

For more information contact:

Al Santucci  alsantucci4@gmail.com  President

Bill Brunner  billbrunnerdesign@gmail.com  newsletter/website editor

Or visit:

Website:  https://www.jerseyhillswoodcarver.com/

Facebook:  https://www.facebook.com/groups/736479646821641/

Funny Bone

Painting The Americana Santa – Part 3

This week I would like to open by just saying I hope everyone had a Safe, Healthy and Happy 4th of July weekend, and that each of you also stopped for a moment to think about why we have our independence in this country and are able to celebrate such a festive holiday.  Unfortunately, my 4th of July weekend was not that great.  My family returned home the Thursday before from a trip to Disney World and my wife and I both brought back covid-19 with us (as a “souvenir”).  So we spent the weekend shut indoors fighting the dreaded virus.  I’m happy to report, though, that although we are still fight some mild symptoms we are both on the road to recovery and are feeling much better.

Painting The Americana Santa

Part 3

By: Bob Kozakiewicz

This week we will paint the Americana Santa and complete our project.

Step 8. Paint the nose with Americana medium flesh and tomato spice.  Then paint the mustache and beard with Liquitex parchment.  Finally, paint the hat trim with Liquitex titanium white.

Step 9. Paint the gloves with Liquitex mars black and the under robe with Liquitex phthalocyanine blue (any navy blue color will work here).  Then paint the hat and outer robe with Liquitex naphthol crimson (or any bright red), and finally paint the robe stripes with Liquitex titanium white.

Step 10. To paint the stars dip the end of a toothpick (I prefer a round toothpick because it has a sharper point) into diluted titanium white.  Touch the toothpick tip to the carving and carefully drag it slightly in one direction.  Dip the toothpick into the paint again, place it at the point where the center of the star will be and carefully drag it out in another direction.  Repeat this process three more times (total of five lines).  Make several white stars randomly around the blue under robe to complete the carving. 

Finally, spray your carving with a light coat of Krylon matte acrylic sealer.

Completed Americana Santa

I hope you enjoyed this tutorial and found it helpful.

Summertime Carving

Here we are in the middle of summer already.  The days are sunny and warm, if not hot, and many of us are thinking about vacations.  Summertime and vacation time are both great opportunities to get out and get some carving done.

My favorite place to carve is outdoors.  Whether it’s at the lake or on the beach, I find it so much more relaxing than carving indoors.  Maybe it’s the fresh air or cool breeze but sitting in the shade of a big old tree or beach umbrella just seems to calm my mind, and make me more productive.  I can carve all day long and never give a thought to the time of day or the world around me.

So tell us about your favorite place to carve during the summer…is it while camping in the woods, sitting by the lake or sea shore, or perhaps even while sitting in the air conditioning at home or in your hotel room while away on vacation?  Tell us about some of your experiences and maybe even send in some photos of something you carved this summer.

We’d love to hear from you!

PS. Have you ever actually tried to carve a watermelon? They’re fun to carve and make great centerpieces for your summer party tables. They carve very much like carving pumpkins but you get the added cool effect of the red, white and green colors from the melon. They easily garnished with other types of fruits to dress the up and create cool effects. Give one a try this summer and send in some photos of your creations. We’d love to see them!

Here is a photo of one of the very first watermelons I ever carved. It was done five years ago for my grandson’s 4th birthday party…the party theme was Teenage Mutant Ninja Turtles. It was a last minute request so this was just something I whipped up.

After carving out the eyes and mask I used acrylic paints to give me the colors I needed but because the watermelon was wet and the paints are water-based I found it difficult to get a good, even coat of paint where I wanted it. Fortunately, I’m a much better wood carver than I am a watermelon carver. Any suggestions here are more than welcome!

Questions & Comments

We have an interesting question this week from Terry Grimm who wants to know more about that alcohol/water mix everyone uses.  Terry writes:

” I have read to soften wood for carving to apply 50% water and 50% rubbing alcohol from a spray bottle. I have tried this solution upon occasions and am quite happy with the results. I can understand the reasoning how water will make wood more pliable. However I do not understand the purpose of rubbing alcohol and how it may affect the wood fibers. Can you enlighten me?”

That’s an excellent question, Terry, and one I’m sure most woodcarvers haven’t even thought about.

A 50/50 mix of alcohol and water does two things.  It’s the water that softens the wood, and the alcohol that helps to keep your blade clean.  Alcohol can make an excellent stainless steel cleaner by removing water spots and disinfecting the surface.

True, there have been occasions when I would be carving and not have access to my bottle of alcohol/water mix, so I would just walk over to the sink and run my carving under the tap water to wet it good,  Not surprisingly, the wood, then cuts like butter, so you don’t really need the alcohol to soften the wood.

But the alcohol plays an important role.  Isopropyl Alcohol cannot remove rust, but it can remove grease and grime that accumulates on the blade, particularly at the base or joints of a pocket knives.  If not removed, the acid content in that grease and grime can possibly form corrosion on blades.

An important note on alcohol: The type of alcohol matters!  Make sure you are using Rubbing Alcohol or Isopropyl Alcohol…and not Ethanol.  99% Isopropyl Alcohol is non-corrosive to metals and plastics.  Ethanol, however, is known for triggering stress corrosion cracking of steel.

Also. If you are going to cut your alcohol with water make sure you use at least 70% or 99% Isopropyl Alcohol.  50% Isopropyl Alcohol is too weak.  If you you are going to use 50% alcohol just use it uncut straight from the bottle.

“Hi Bob,

Thank you for your response.  Your explanation is very helpful, I now understand, Thank you.”

Our next question this week comes from Jessi Mangold who want to know which finish to apply to her carving…shellac or polyurethane.  Jessi writes:

"Hi Bob,
 
I’m finishing up a project, and the instructions in Woodcarvers Illustrated says I need to use shellac to finish it. But what is the difference between shellac and polyurethane does it matter which one I use?
 
Many Thanks,
Jessi"
 
Thank you for your question, Jessi!  It basically comes down to a matter of preference.  If you are looking for a hard finish, then you want to go with polyurethane.  For a woodcarving it won't matter much, though and either one will work well.  However, if it's for an outdoor application you want to use polyurethane because shellac is soluble in water and will eventually wash off in the weather.
Allow me to go into a little more depth and explain the differences between the two finishes.  The following definitions should help:
 

Polyurethane –  varnish made with synthetic drying oils that is typically a hard, abrasion-resistant, and durable coating.  Popular for hardwood floors but are considered by some wood finishers to be difficult or unsuitable for finishing furniture or other detailed pieces. Polyurethane is comparable in hardness to certain alkyds but generally forms a tougher film. Compared to simple oil or shellac varnishes, polyurethane varnish forms a harder, decidedly tougher and more waterproof film.

Shellac (varnish) – a varnish made by dissolving shellac in (usually) alcohol or a similar solvent.

Shellac – lac* that has been purified and formed into thin sheets, used for making varnish.

*Lac – a resinous substance deposited on the twigs of various trees in southern Asia by the female of the lac insect (Kerria lacca): used in the manufacture of varnishes, sealing wax, etc.

Varnish – a preparation consisting of resinous matter, as copal, rosin or lac, dissolved in an oil (oil varnish) or in alcohol (spirit varnish) or other volatile liquid.  When applied to wood, metal, etc., it dries and leaves a hard, more or less glossy, usually transparent coating.

As you can see, shellac and polyurethane are both varnishes but are made in different ways from different chemicals.  Polyurethane is made from various oils which give it a hard finish and render it water resistant, whereas shellac is generally made with alcohol.  Its finish is not as hard as polyurethane and it is not very resistant to water.  For indoor applications such as woodcarvings, however, shellac works sufficiently as a finish.  For example, I have several carvings I finished with shellac many years ago and the finish still looks good and has not yellowed.

For more information on various wood finishes and solvents refer back to my blog of April 8, 2022, “Wood Finishes & Their Solvents.”

 

Photo Shop

“Photo Shop” is the section of Wood Chip Chatter where carvers can send in photos of their wood carvings for display. It’s your chance to show off your work…sort of a show and tell. The photos will only be displayed and no comments or critiques will be made.  For critiques on your carvings send them in to the “Carver’s Corner.”  Send your photos to carverbobk@woodchipchatter.com.

Our only entry to the “Photo Shop” this week (and it’s a good one) comes from John Robinson who carved a mate for his Barney Bear.  John writes:

“Well Barney Bear found a new girlfriend Bernadette. Enjoy !” 😁 

Great job on Barney’s girlfriend, John!  Barney and Bernadette both look terrific together, especially mounted on the nice base you put them on.  Mounting your carvings on a base really makes the difference between a good looking carving and an excellent looking carving.  Thanks for sharing!

News & Announcements

The International Association of Woodcarvers has upcoming Zoom meetings on the following Saturdays at 3PM EST with special guest presenters.  Check them out…

Zoom:  310-460-3575

NOTE:  During the months of June, July and August meetings will be held only once per month…

Schedule

7/23 – Guy Nelson

8/20 – Malcom Sharp – Twisted Sticks

INTERNATIONAL ASSOCIATION OF WOODCARVERS

COME JOIN US!!!

“CARVER’S CORNER” IS IN TROUBLE.

“Carver’s Corner” is a great way to get constructive critiques on your carvings so you can learn where to improve on your next ones.  However, there doesn’t seem to be much interest in this segment of the blog so I’m considering dropping it.  Tell me what you think.

“PHOTO SHOP” NEEDS YOUR PHOTOS

 I’m sure you all have some terrific carving photos to share in my “Photo Shop” section.  Photos of your carvings liven up the blog’s appearance and make it more interesting. 

NOTE: Whenever sending in photos please specify whether you want them for display in “Photo Shop” or if you want me to critique them in the “Carver’s Corner.”  Send your photos in to carverbobk@woodchipchatter.com.  Thank you.

Keep a sharp edge, and keep on carvin’!

Funny Bone